"How to Set up and Shoot Awesome Interviews with LED Lights"



DVD: $50

STREAMING: $45



CHAPTERS:

1: INTRODUCTION
2: THE GOAL
3: THE STYLE
4: THE GOOD, THE BAD, AND THE UGLY
5: CREATING A CUSTOM LIGHT KIT
6: TYPES OF LIGHTING
7: THE LED REVOLUTION
8: LIGHT KIT RECOMMENDATIONS
9: CHOOSING THE BEST LOCATION
10: TALENT AND CAMERA PLACEMENT
11: THE BACKLIGHT
12: THE KEY LIGHT
13: THE FILL LIGHT
14: THE KICKER
15: THE BACKGROUND LIGHT
16: CREATIVE WHITE BALANCE
17: SETTING THE EXPOSURE
18: BALANCED COMPOSITION
19: MAKING THE TALENT LOOK GREAT
20: SHOOTING THE INTERVIEW

 

Instructor:

 

Doug Jensen

Length:

90 minutes / 20 chapters

Recommended for:

Video Professionals who want excellent results with LED lighting

Format / Language:

NTSC / English (Note: NTSC DVDs also work with PAL players)



Interviews are the foundation of video and television production, and are essential to almost every type of program. For today’s high definition productions, the quality of interview lighting and the overall “look” of the setup is more critical than ever.  

Regardless of your budget, what type of camera you use, what kind of video you’re shooting, or how much time you have to set up, there’s really no excuse for not consistently shooting great looking interviews.

But shooting great-looking interviews is NOT just about lighting. Lighting is only one piece of the puzzle.  This 90-minute instructional DVD has been produced by well-known instructor, Doug Jensen, to teach anyone how to use camera placement, lighting, composition, depth-of-field, exposure, and white balance to create great-looking interviews.

As you’ll learn in the DVD, lighting great-looking interviews with 100% LED lighting is not only possible, it is rapidly becoming the preferred choice for high-end shooters.   This instructional DVD will show you what you need, what you do NOT need, and how to bring all the elements of shooting interviews together to achieve excellent results.  Once you’ve made the switch to LED, it will be impossible to imagine ever using other types of lights for interviews ever again.




 

 

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